{"id":389852,"date":"2022-12-21T19:31:20","date_gmt":"2022-12-21T18:31:20","guid":{"rendered":"https:\/\/www.hoog.design\/look-inside\/strandzuid-reopened-in-amsterdam\/"},"modified":"2026-07-21T00:12:06","modified_gmt":"2026-07-20T22:12:06","slug":"city-beach-hospitality-pavilions-reopening-design","status":"publish","type":"hoog_project","link":"https:\/\/www.hoog.design\/en\/look-inside\/city-beach-hospitality-pavilions-reopening-design","title":{"rendered":"City beach hospitality pavilions: reopening design with dark timber"},"content":{"rendered":"<p>Dark timber, broad glazing and a low line of water-set terraces give this city beach hospitality pavilions reopening design its first impression. After a winter-long transformation, the waterfront complex reopened in May 2017 with a large pavilion on the east side of the water, several smaller pavilions and two sandy beaches. The result is less like a single venue than a string of places, each with its own use, but tied together by a clear route across wood, glass and sand.<\/p>\n<h2>A city beach laid out as a sequence of pavilions<\/h2>\n<p>The plan is built from contrast. Around the nearby congress buildings, the setting is formal and businesslike; here the scale is smaller, the rooflines step and tilt, and the material palette stays dark. The beach club pavilions sit close to the water, while the sandy edges open the site toward outdoor use. That combination gives the complex a relaxed rhythm without losing its structure. From one end to the other, the eye keeps moving between sheltered rooms, open terraces and the water line.<\/p>\n<p>What makes the city beach hospitality pavilions reopening design readable is the way the volumes are separated but still connected behind the scenes. The two main pavilions each carry four roof forms, and those roof structures are finished with cedar shingle cladding. The effect is not decorative in the usual sense; it gives the roofs a textured surface and makes the upper edge of each building stand out against the sky. Below that, the darker timber keeps the buildings grounded and lets the glazed openings carry more of the light.<\/p>\n<h2>Slanted lines, dark timber and cedar shingles<\/h2>\n<p>Slanted lines and roof structures shape the whole place. They break the boxes into smaller parts and give the pavilions a more measured profile. Inside and out, the timber remains visible, so the construction is not hidden behind layers of finish. The dark timber architecture is echoed in the frames, wall surfaces and bars, while the cedar shingle cladding softens the larger roof planes. It is a restrained language, but it has enough variation to keep the waterfront setting from feeling flat.<\/p>\n<p>Seen from the outside, the pavilions by the water use deep overhangs and angled edges to mark entries and terraces. The image analysis shows long stretches of glazing, dark profiled fa\u00e7ades and a rhythm of openings that sit between solid timber surfaces. At terrace level, the materials change less than the light does. In one view the glass reflects the water; in another, the same wood reads almost matte under the overhang. That shift is part of the project\u2019s character.<\/p>\n<h3>An interior with visible beams and a bar set into wood<\/h3>\n<p>Inside, the structure stays visible. Beam work runs across ceilings, and in several rooms the roof construction becomes part of the atmosphere rather than something to conceal. The interior with visible beams is especially clear in the bar and dining areas, where dark timber fronts meet a higher ceiling zone and metal or glass details catch the light. Tables sit under pendant lamps, and the spaces feel open without becoming unplanned. The timber gives the rooms a steady backdrop, while the glazing keeps the water and greenery close.<\/p>\n<p>The bar with wooden fronts is one of the most legible moments in the project. It shows how the material palette continues from the exterior into the hospitality spaces. In the images, a black worktop, timber panels and a layered ceiling create a compact service core, while the rest of the room opens toward the seating area. This kind of spatial clarity matters in a venue with multiple hospitality zones: the guest sees one room, but the operation works through a much larger back-of-house network.<\/p>\n<h2>Eight hospitality zones, linked behind the scenes<\/h2>\n<p>There are eight named zones in total, each with a different pace and use, from dining to drinks to outdoor seating. The project describes them as a series of places to recreate in, with indoor and outdoor parts set in different moods. The important point is not the names themselves, but the way they are organized. Kitchens and other support spaces connect the zones at the back, so service can move through the whole complex without breaking the guest areas. That hidden link is what makes the site function as one address rather than eight separate rooms.<\/p>\n<p>Because the total surface area stayed the same, the layout had to do more work. Efficient use of space now allows more people to use the venue, but the proportions still stay measured. A covered terrace by the water, smaller pavilions and the larger hall all sit within the same system, so the complex can shift between a dinner setting, a gathering for drinks or a larger event. In winter, the place is used under another name for events, which gives the structure a second life when the sand and open terraces are less active.<\/p>\n<h3>From the park to the water\u2019s edge<\/h3>\n<p>The site also changes how people move through the area. From the adjacent park, a walk now follows the water along the canal edge and the tree line. Before, this part was closed off. Now the route makes the waterfront visible from a different angle, and the pavilions form part of that walk rather than a barrier beside it. The sequence of sand, timber, glass and water is easy to read from that path, especially where the terraces and overhangs reach toward the edge.<\/p>\n<p>Preparation took more than two years, and construction began in October 2016. Those dates matter less as milestones than as an explanation for the precision of the result. The project is compact in plan but layered in use, with back connections, roof variation and separate hospitality zones all fitted into the same footprint. The city beach hospitality pavilions reopening design does not rely on one grand gesture. It works through repeated roof forms, dark surfaces, clear routes and a constant relation to the water.<\/p>\n<h2>Materials that hold the site together<\/h2>\n<p>Across the interior and exterior, the same three materials do most of the work: wood, glass and metal. Wood gives the pavilions their weight and texture. Glass opens the rooms to the water and the green edges around the site. Metal appears in details and fixings, especially where the bar zone and ceiling elements meet. Together they keep the project legible from a distance and usable up close. That is why the pavilions by the water read so clearly in photographs: the surfaces change, but the structural language stays consistent.<\/p>\n<p>What remains after the reopening is a city beach that is not treated as a single object. It is a set of beach club pavilions, terraces and beach edges, held together by circulation and back-of-house links. The slanted lines and roof structures keep the silhouette low and varied, while the cedar shingle cladding gives the roof planes a fine grain. For a waterfront hospitality project, that combination is enough. It frames the sand, holds the rooms and leaves the water where it should be: in view.<\/p>\n","protected":false},"featured_media":379621,"template":"","meta":{"_acf_changed":false,"_yoast_wpseo_focuskw":"city beach hospitality pavilions reopening design","_yoast_wpseo_title":"City beach hospitality pavilions reopening design","_yoast_wpseo_metadesc":"Reopened in 2017, this city beach pairs pavilions by the water, two sandy beaches and eight hospitality zones with dark timber and slanted roof forms.","_yoast_wpseo_linkdex":"","_yoast_wpseo_content_score":"","content-type":"","_yoast_wpseo_focuskeywords":"","_yoast_wpseo_keywordsynonyms":"","_yoast_wpseo_primary_category":null,"_yoast_wpseo_estimated-reading-time-minutes":""},"hoog_category":[60],"class_list":["post-389852","hoog_project","type-hoog_project","status-publish","has-post-thumbnail","hentry","hoog_category-keuken-inspiratie"],"acf":{"hoog_project_owner":6399,"hoog_contributors":null,"hoog_project_badge":"","hoog_featured_project":false,"hoog_project_video":"","hoog_project_photos":[{"image_file":379621,"video_id":"","image_size":"full"},{"image_file":379578,"video_id":"","image_size":"full"},{"image_file":379584,"video_id":"","image_size":"full"},{"image_file":379590,"video_id":"","image_size":"full"},{"image_file":379596,"video_id":"","image_size":"full"},{"image_file":379600,"video_id":"","image_size":"full"},{"image_file":379606,"video_id":"","image_size":"full"},{"image_file":379609,"video_id":"","image_size":"full"},{"image_file":379615,"video_id":"","image_size":"full"},{"image_file":379618,"video_id":"","image_size":"full"}]},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - 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