A green living wall sets the tone before the building\u2019s volumes become clear. Behind the planting, two connected four-storey blocks hold 39 rooms, each oriented toward the surrounding trees and water. The exterior reads as part of the landscape rather than a separate object, with the vegetated surface softening the dark frames around the windows. Inside, the story shifts by floor: the interior concept follows spring, summer, autumn, and winter as a sequence rather than a theme applied all at once.<\/p>\n
The hotel is made up of two connected buildings, joined in a way that keeps the massing compact and legible. That connection matters, because it lets the volume sit between the existing built context and the green setting without breaking the line of sight toward the trees. A covered entrance passage runs along the approach, with a slim roof structure above and planting at the edges. The route feels measured and protected, not oversized, and the green around it keeps the walk to the entrance visually active.<\/p>\n
From the outside, the fa\u00e7ades are not treated as a single flat skin. Window openings are set into dark framing, while the vegetated layer gathers around them in dense patches. In one close view, the planting climbs around a rectangular opening and gives the wall a layered depth that changes with the light. The result is a green living wall hotel expression that is visible both from a distance and in detail, where leaves, shadows, and glazed surfaces meet at the same edge.<\/p>\n
The interior concept uses the four seasons as a clear organizing idea. Rather than staging them as decoration, the sequence moves vertically through the building: spring, summer, autumn, and winter are experienced from the ground floor upward. That approach gives the hotel room wood slats, soft colour blocks, and mirror details a role in the narrative. One room uses a green wall beside a round mirror; another shifts toward terracotta and deeper tones; elsewhere, vertical wood appears in openings and wall panels, breaking up larger planes with a precise rhythm.<\/p>\n
Several images show how the rooms rely on simple components to build character. A vertical slat wall sits behind a hanging lamp, turning the light into a small pool on the surface below. In another view, two round mirrors are fixed to a coloured wall beside a narrow opening lined with wood. These round forms repeat across the project and give the rooms a softer counterpoint to the straight lines of the walls, doors, and built-in elements. The room layouts stay compact, but the material shifts keep each space from feeling static.<\/p>\n
Wood appears in different ways: as narrow slats, as a darker wall behind the bed, and as trim around openings. It is never overworked. The surfaces are thin, vertical, and measured, which helps the rooms read as calm volumes rather than crowded compositions. Round mirrors interrupt those lines and catch light from the windows and lamps. In one interior, a black television screen cuts into a warm-toned wall, while a nearby wooden opening keeps the composition from becoming too rigid. The palette stays restrained, but the details are active.<\/p>\n
The rooms also show how the design uses colour to mark out zones. Green, ochre, terracotta, brown, and white are placed in separate fields, often paired with wood or mirror so the surfaces feel grounded. A bedroom wall with cut-outs opens into a passage lined with vertical timber, while another room uses a deep green-blue surface with twin round mirrors. These shifts are modest, yet they create a clear change from one space to the next, matching the project\u2019s seasonal structure without turning it literal.<\/p>\n
The bathroom images carry the same discipline. Marble and natural stone line the shower walls, their veining doing most of the visual work. A round rain shower head sits above the enclosure, and a glass partition keeps the volume open to the rest of the room. In one detail, a vertical wood element stands beside the stone, which sharpens the contrast between the cool surface and the warmer finish. The marble walk-in shower reads as a continuation of the room language rather than a separate luxury gesture.<\/p>\n
That restraint is important because the project does not lean on excess. The bathroom surfaces stay close to the architecture: stone, glass, wood, and light. Reflections are limited to the round mirrors and the shower glazing, so the eye is not pulled in too many directions. The result is a room sequence where the material choices are clear at first glance. Even the shower corner feels tied to the rest of the hotel, with its stone cladding matching the measured pace of the bedrooms and corridors.<\/p>\n
Sustainability is expressed through visible elements rather than abstract claims. Solar panels sit on the roof, a vegetated fa\u00e7ade helps reduce fine dust, and low-energy measures are part of the design brief. The parking area is also given a greener surface through grass reinforcement tiles, which changes the ground plane from a hard expanse into something more porous. None of these measures are presented as decoration. They are part of how the building is shaped and how it meets the site.<\/p>\n
The exterior volume also works with height and profile to connect the hotel to the existing buildings and the green surroundings. That transition is noticeable in the way the upper levels step through the composition, while the planted skin blurs the edge between built form and vegetation. Seen alongside the covered entrance with greenery, the whole project keeps returning to the same idea: a hotel that is wrapped by plants, light, and openings to the view. The green living wall hotel concept is therefore not just a feature, but the project\u2019s most legible architectural move.<\/p>\n
What stays with you is the sequence of thresholds: entrance passage, planted wall, room, bathroom, view. The rooms look out toward the trees and water, so the interior never feels sealed off from its setting. Large openings, dark window frames, and the repeated use of vertical lines keep pulling the eye outward. Even where the images focus on details, such as a mirror, a lamp, or a shower wall, the larger idea remains visible: a hotel built as a series of connected rooms and surfaces, shaped by planting and by the landscape beyond them.<\/p>\n
That clarity makes the project easy to read without flattening it. Two linked buildings carry 39 rooms across four levels, but the experience is not about count alone. It is about how the mass is broken down, how the green skin catches the light, and how the interiors move through seasonal moods without losing their restraint. The project uses a green living wall hotel approach to connect exterior and interior, then reinforces it with wood slats, round mirrors, and marble shower surfaces that keep the material language precise.<\/p>\n","protected":false},"featured_media":374914,"template":"","meta":{"_acf_changed":false,"_yoast_wpseo_focuskw":"green living wall hotel","_yoast_wpseo_title":"Green living wall hotel with wood slats and marble shower","_yoast_wpseo_metadesc":"A new hotel concept with two connected buildings, 39 rooms, a green living wall, and interiors shaped by wood slats and marble details.","_yoast_wpseo_linkdex":"","_yoast_wpseo_content_score":"","content-type":"","_yoast_wpseo_focuskeywords":"","_yoast_wpseo_keywordsynonyms":"","_yoast_wpseo_primary_category":null,"_yoast_wpseo_estimated-reading-time-minutes":""},"hoog_category":[3068],"class_list":["post-389864","hoog_project","type-hoog_project","status-publish","has-post-thumbnail","hentry","hoog_category-wellness-thuis"],"acf":{"hoog_project_owner":6399,"hoog_contributors":null,"hoog_project_badge":"","hoog_featured_project":false,"hoog_project_video":"","hoog_project_photos":[{"image_file":374914,"video_id":"","image_size":"full"},{"image_file":276900,"video_id":"","image_size":"full"},{"image_file":276982,"video_id":"","image_size":"full"},{"image_file":276973,"video_id":"","image_size":"full"},{"image_file":276964,"video_id":"","image_size":"full"},{"image_file":276955,"video_id":"","image_size":"full"},{"image_file":276945,"video_id":"","image_size":"full"},{"image_file":276942,"video_id":"","image_size":"full"},{"image_file":276927,"video_id":"","image_size":"full"},{"image_file":277035,"video_id":"","image_size":"full"},{"image_file":277032,"video_id":"","image_size":"full"},{"image_file":277028,"video_id":"","image_size":"full"},{"image_file":277016,"video_id":"","image_size":"full"},{"image_file":277004,"video_id":"","image_size":"full"},{"image_file":276998,"video_id":"","image_size":"full"}]},"yoast_head":"\n