Vertical barnwood slats set the tone before the eye reaches the glass. On the outside, the material sits against stone panels and deep window reveals, while the rounded edge of the roofline pulls the facade away from a flat reading. The result is less about decoration than about surface, shadow and cut lines: wood, stone and glazing each hold their own place in the composition.

Rounded roof edges and deep openings

The strongest exterior views focus on the way the barnwood facade cladding wraps curved planes under a broad overhang. In one image, the slats follow a large rounded surface, then stop against a stone-clad section that frames the openings. Another view shows the same language from a different angle: a broad canopy, a recessed strip of glass and dark frames that sit back from the outer skin. The facade with large windows gains depth from these set-backs rather than from ornament.

Stone panels do more than mark a contrast in texture. They outline corners, edge the openings and keep the wood from running across every surface. That break is important here. The eye moves from the grain of the barnwood to the pale stone and then to the black framing around the glazing. Because the materials are kept distinct, each one stays readable even in wider facade views.

Wood and stone beside the glass line

Several exterior images show how the wood and stone facade is assembled around the windows instead of being treated as a single continuous skin. The barnwood cladding is used on large sloping or curved surfaces, while stone appears on the vertical return walls and around corners. Glass then cuts through the composition with deep reveals, creating shaded edges that change through the day. The architecture feels measured by those joints, not by any decorative profile.

Metal also plays a quieter role. Dark columns, frames and edge details hold the overhangs and help separate the different planes. On the more open side, the facade reads as a sequence of materials: wood above, stone at the sides, glazing below. It is a practical arrangement, but visually it also gives the building a layered profile that changes as you move around it.

A modern rounded facade that keeps its edges visible

The rounded volumes are among the clearest features in the exterior set. Instead of sharp corners, the building uses curved or softened returns, especially where the roof projects outward. The barnwood slats follow those arcs and make the geometry easier to read. In close detail, the surface is not smooth at all; the linear rhythm of the slats turns the curve into something measurable, one strip at a time.

Those curves matter because they interrupt the otherwise linear nature of the glazed openings. The large windows stay rectangular, while the roof and edge conditions bend around them. That difference gives the facade its tension. Wood, stone and glass are not blended together here. They are kept in clear opposition, and the rounded form acts as the link between them.

Interior routes lined with barnwood

Inside, the barnwood interior wall appears along long corridors and atrium-like passages. The slats run in vertical lines beside a concrete floor, and the effect is one of direction rather than enclosure. In one hallway, the wood sits next to a stone panel and a rounded ceiling segment; in another, the same material wraps both sides of a narrow passage, pulling the eye toward the far end. The barnwood hallway or atrium reads as a route, not a room that wants to stop movement.

Small changes in ceiling shape make those passages feel different from the exterior. An arched or curved ceiling section appears above the corridor, sometimes with built-in lighting that punctuates the wood surface. The light is embedded rather than hanging, so the material remains continuous. Where a doorway is set into a niche, the vertical slats carry through the opening and keep the wall plane legible.

Wood ceilings with spotlights and stone panels indoors

Other interior views shift the focus upward. Wood ceiling with spotlights appears in the living room, the restaurant seating area and the servery zones, where slatted or panelled timber surfaces break the ceiling into clear planes. The lights are recessed, which keeps the surface clean and lets the wood do the work of defining the room. On the walls below, barnwood sits beside stone panels, so the ceiling is not floating on its own; it is tied into the same material logic as the room around it.

The living room image is especially direct. A barnwood wall rises beside a stone panel, and the ceiling plane above carries a warm timber finish with small downlights. The arrangement gives the room a fixed axis: wall, ceiling, opening. In the bar and servery views, the same materials appear with more structure overhead, including rounded metal elements that trace the edge of a circular ceiling feature.

Bar, dining area and circular ceiling moves

The bar and restaurant spaces bring a more layered ceiling language. Circular or ring-like forms sit above the tables, while timber surfaces and large window strips bring in daylight from the side. The shapes are visible, not hidden. A round ceiling accent reads as a separate gesture from the straight runs of slatted wood, and that contrast gives the room a clear centre. Around the edges, stone and metal keep the composition grounded.

In one dining view, the ceiling ring sits above a central seating zone, with timber planes extending outward. In another, the bar front is backed by barnwood slats and capped by a round timber feature that intersects with metal construction. The space does not rely on decoration to feel finished. It is the joinery, the ceiling geometry and the material changes that do the work.

Concrete floors, turf and drainage in the outdoor sport zone

The outdoor area introduces a different surface rhythm. Artificial turf sits beside a concrete sports walkway, with a drainage channel or edge detail running between the two. The setting is practical in a visual sense: the green surface stops sharply at the concrete, and the line between them is made explicit. Barnwood walls and dark columns continue along the covered side, while timber ceilings above keep the corridor sheltered.

Seen from further back, the sport and outdoor zone stretches into a long run of wall, paving and turf. The overhang protects the path, and the repeated columns create a steady cadence along the edge. There is no attempt to soften the transition between outdoor materials. Concrete, artificial turf, wood and metal stay separate, which makes the layout easy to read at a glance.

Long views, repeated lines and measured transitions

What holds the project together is the way repeated lines travel through different parts of the building. Barnwood slats appear on the facade, then reappear inside on corridor walls, then again in lounge and servery zones. The same material shifts scale depending on where it is used: broader on the exterior, tighter in passageways, warmer under timber ceilings. That repetition gives the rooms a family resemblance without turning them into copies of each other.

The project also relies on transitions rather than abrupt changes. Stone meets wood at corners, glass pulls back into deep frames, and curved roof edges soften the shift between wall and canopy. Even the outdoor area follows that logic, with turf, paving and drainage kept in separate bands. Across the whole series of images, the barnwood facade cladding is not a single effect but part of a wider material system that includes wood, stone, glass, concrete and metal.