Light lands first in the living room, where large windows pull the street-facing edge of the house into the interior. A corner sofa sits low against the view, while a built-in wall detail and a framed artwork give the room a measured edge. The result is a modern townhouse interior that relies on surface, proportion and daylight rather than excess.

Across the room, the ceiling keeps the lines clean with recessed spots and a suspended fixture that reads almost like a drawn outline. Curtains soften the glass without closing it off, and the black-framed opening beside the seating area adds contrast. A niche-like wall element cuts into the plan and gives the lounge a more tailored, bespoke interior feel.

Living room light and built-in lines

The living room large windows do more than brighten the space. They widen the seating zone and make the furniture placement feel deliberate, with the sofa turned toward the room instead of floating in it. The art above the sofa, the dark frame around the opening, and the pale textile surfaces keep the composition grounded. Nothing here is overworked; the room is shaped by a few clear moves.

Another sitting area appears deeper in the plan, where a low bench and a standing lamp sit beside two window openings. The upholstery is darker, the floor calmer, and the curtains fall in straight vertical folds. That quiet repetition of frame, fabric and glass gives the house a steady rhythm as you move from one space to the next.

Wood and stone kitchen with a blue tile wall

The kitchen shifts the mood with wood fronts, a dark worktop and a blue tile backsplash that runs behind the cooking and sink zone. The material change is immediate. Warm timber softens the cabinetry, while the tile pattern and the darker counter pull the eye across the wall. Hanging lights hover above the work surface and keep the zone visually open.

This wood and stone kitchen uses contrast to separate tasks without adding bulk. The sink area, taps and worktop sit neatly in line, and the tile wall brings texture where the room needs it most. It is a compact composition, but the mix of wood, ceramic and dark surfaces gives it enough weight to hold the center of the house.

Dining space under a statement pendant

The dining area sits close to a wide curtain wall, with a table placed to catch the light rather than block it. A pendant with a wire-like frame hangs above the tabletop and becomes the room’s clearest vertical gesture. The chairs stay visually light, so the window line remains present behind them. It is a simple arrangement, but the large panes and the hanging light give it presence.

Staircase and hallway with slats and black rails

The staircase and hallway form one of the sharpest transitions in the project. A black railing cuts through the stair void, while a vertical slat wall brings texture to the landing and entrance. The floor below shifts to a stone-like tile, which makes the passage feel more solid and more grounded than the living spaces. The effect is tactile rather than decorative.

In the corridor, darker wall panels and reflective surfaces narrow the view and direct it forward. A line of lighting runs along the wall and picks up the edges of the finish. That detail matters here: instead of a flat passage, the hallway becomes a sequence of surfaces, shadows and narrow reflections. It is a restrained route, but it never feels blank.

Bathroom surfaces cut in stone and glass

The bathrooms move into a marble-look bathroom language with pale stone-effect walls, a built-in tub and a glass shower framed by slim profiles. One image shows the bathtub tucked into a stone surround, with light set into a recessed niche above it. Another reveals a double vanity with two taps set in a straight line, which keeps the room clear even with several functions in play.

The glass shower is handled with the same precision. Slim edges keep the enclosure light, while the shower fittings and rain shower read against the stone background. A striped blind filters daylight at the window, and the ceiling spots add a second layer of light across the tile surfaces. This luxury interior does not rely on ornament; it depends on the way each finish catches light.

Double vanity, tub and recessed light

What stands out in the larger bathroom is the relationship between the tub, the mirror zone and the wall openings. The bath is set in a stone frame, not left as a loose object in the room. Nearby, the double basin area extends the same calm horizontal line, and the recessed lighting in the wall niche gives the room depth after dark. The composition is spare, but not empty.

Sauna interior with wood on every surface

The sauna interior shifts the palette almost entirely to timber. Wooden walls, a continuous bench and a darker stone surround give the room a compact, enclosed feeling. A strip of light is integrated into the perimeter, which keeps the grain visible and prevents the space from becoming visually flat. It is one of the clearest examples of how the project uses material to define atmosphere without adding clutter.

Because the surfaces are so consistent, the room reads as a single carved volume. The bench sits firmly against the wall, the timber boards run in disciplined lines, and the dark frame around the opening tightens the edge. The space is small, but the proportion of wood to light gives it enough depth to feel complete.

Loft level with beams and roof light

Up under the roof, the loft keeps the structure visible. Exposed beams cross the ceiling, and the large windows follow the slope of the roof so daylight reaches deep into the room. Two pendant lamps hang below the timber frame, creating a pause in the vertical space. This upper level feels less formal than the rooms below, but the material logic remains the same: wood, glass and clean lines.

A tall bookcase with black steel rails appears near the window side, turning storage into a visible architectural layer. Open shelves and the dark frame break up the wall without closing it. In a house where many rooms are shaped by custom joinery, this detail is particularly telling. It shows how storage, display and structure can sit together without crowding the room.

Loggia and glazed edge

The loggia completes the sequence with a built-in bench set against glazing. Curtains fall beside the opening, and the curved edge of a window detail softens the otherwise straight geometry of the house. Daylight enters from several directions, but the built-in seating keeps the exterior edge calm and usable. It is a small area, yet it extends the modern townhouse interior beyond the main rooms.

Seen together, the living room, kitchen, stair hall, bathrooms, sauna and loft form a clear interior route. Wood, stone, glass and black accents return in different combinations, while the custom-built elements keep each room tied to the next. The project never leans on one gesture. Instead, it uses repeated materials and careful openings to shape a house that feels composed from the inside out.