Heeren van Eijck

Oak outbuilding with thatched roof

Visible oak beams set the tone before the room even settles into view. The structure is built as an oak outbuilding with traditional joinery, and the frame stays readable throughout the interior. Under the roof, the timber structure marks out the space with honest lines, while the glazed sides keep the garden close. It feels made for moving between uses: a place to sit, cook, work, and open up to the terrace when the weather allows.

Oak frame and the joinery that holds it together

The first impression comes from the timber itself. Thick oak posts and horizontal members are left exposed, so the construction is not hidden behind finishes. Traditional woodworking gives the building its rhythm, and the mortise and tenon connections are part of that reading. They are not treated as decoration; they are the structure. That choice gives the interior a clear order, especially where the beams meet the plastered walls and the barnwood panels.

Inside, the oak frame sits alongside softer wall surfaces. Barnwood interior walls and plastered sections break up the timber, so the room does not become too heavy. The contrast is direct: dark wood, pale wall, then glass. In the images, the roof trusses remain visible above the kitchen and living zones, which keeps the ceiling line active and makes the volume feel legible from one end of the space to the other.

A thatched roof that shapes the silhouette

The thatched roof is the clearest exterior gesture. Its surface softens the outline of the building and gives the roof a thicker edge than a plain flat plane would have. The roof reads strongly in the evening light, especially where the overhang catches the glow below. A round chimney cap rises through the thatch, while the roofline keeps the long profile grounded over the glass and timber below.

Here the roof is more than a covering. It also sets the tone for the interior below, where the exposed construction and the softer finishes are read together. The project text mentions a synthetic thatch finish, and the images show a roof that carries light well under the eaves. That makes the volume feel present in the garden both by day and after dark, when the glazing reflects the interior light back into the terrace.

A large glass façade that opens the room to the garden

A broad large glass façade takes up much of one side, framed in black so the openings stay visually sharp. A glass sliding wall and an accordion-style glazed wall can be fully opened, turning the interior into a more open extension of the terrace. The framing remains slim enough to keep the glass reading as one continuous plane, while the oak structure stays visible around it.

The glazing changes how the room is used. In one moment it is a sheltered interior; in the next, the edge disappears and the garden becomes part of the seating area. The images show the façade lit from within, with the black profiles standing out against the warm interior. That contrast gives the opening a clear outline, especially where the terrace paving meets the threshold.

Black frames, clear edges, and a direct view through

The black window frames do useful work here. They draw a fine border around the glass without taking over the view. Through the panels, the kitchen and living zones remain visible, which makes the building read as one connected interior rather than a series of separate rooms. The glazing also brings in the terrace, the path outside, and the surrounding greenery, all of which stay in view as the light changes.

A fireplace wall that anchors the seating area

At the heart of the room, the fireplace brick surround gives the living area a fixed point. The masonry sits against the wood and plaster with enough weight to hold the seating arrangement in place. In the images, the fire sits low and open, with brickwork visible around it and the sofa placed close enough to make the hearth feel central. It is the strongest solid element in a room otherwise shaped by openings and reflections.

This zone works because it is specific. The fire, the brick, the nearby table, and the visible timber ceiling all sit within one line of sight. The room does not rely on decoration to read as complete. Instead, the material shift does the work: oak, brick, plaster, glass. Even when the doors are open, the fireplace keeps the interior grounded.

Kitchen, dining table and the work surface in between

The kitchen and work area are folded into the same volume, with a bar-like counter and a strong worktop visible in the photographs. A cooking unit is set into the outside kitchen, and the project notes a toilet among the practical provisions. Rather than pushing those functions away, the layout keeps them near the main seating and dining zone, so the building can handle more than one routine at once.

A wooden dining table sits under the beams, close to the glazed edge. The placement matters. It lets the table borrow light from the façade during the day and pick up the interior glow at night. The result is a room that can hold a meal, a quiet work session, or an evening by the fire without changing its basic arrangement. The visible oak beams above continue across the space, tying the functions together without needing a closed plan.

Year-round use, from open terrace to enclosed room

The project is clearly set up for the seasons. In summer, the glass sliding wall can open wide and the outbuilding works as an extension of the garden. In winter, the same space closes down around the fireplace and the plastered walls, with the barnwood surfaces and timber structure holding the eye. That shift is physical, not symbolic: open threshold, closed envelope, then back again when the weather changes.

What keeps the building useful across those shifts is the clarity of its parts. The oak frame, the thatched roof, the glazed frontage, the hearth, and the dining zone each do a visible job. Nothing feels added just to fill space. The interior remains calm because the materials are allowed to speak plainly, and the structure stays readable from one end of the room to the other. That is what makes the oak outbuilding feel ready for daily use, not only occasional visits.

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