An enclosed glass shower sets the tone in this luxury bathroom with onyx tiles. The glass keeps the room open to view, while the shower itself is built as a closed unit with green bar tiles running across the walls and ceiling. That pattern gives the shower zone a strong graphic surface. Alongside it, stone-look finishes and a custom vanity area keep the room grounded and direct, with every line drawn around use as much as appearance.

A closed walk-in shower with a clear profile

The luxury glass walk-in shower reads as one compact volume rather than a loose cluster of fittings. Inside the enclosure, a shower column with waterfall feature, refined taps and the green tile pattern create a layered surface against the glass. The shower is generous in scale, but the closed walk-in shower keeps the composition controlled. You see straight edges, repeated lines and a finish that turns the enclosure into the visual centre of the room.

Green bar tile shower surfaces continue across both wall and ceiling, which makes the shower feel wrapped rather than simply lined. The tile rhythm changes the light in the space: reflections from the glass meet the matte and glazed surfaces, and the whole corner becomes more than a functional wet zone. The contrast with the lighter surrounding finishes keeps the enclosure legible from the rest of the bathroom.

Stone details that sharpen the shower zone

A marble-look shower bench sits inside the enclosure, cut neatly into the corner. Its angled finish gives the seat a precise edge, and the same approach returns in the niche stretching across the full width of the shower. These details are not decorative extras. They carry the supply of everyday objects, while the stone-look finish gives them visual weight against the green tile field. The result is a shower with clear layers: glass, tile, stone and metal.

The shower wall also includes a watertight sequence of fittings, with the shower column and taps fixed against the tiled surface. Because the enclosure is closed, the fixtures read almost like part of the architecture. Water comes from one controlled point, then the waterfall element adds a second, more open gesture. That mix of straight enclosure and moving water gives the shower its strongest character without needing any excess detail.

Onyx-like surfaces outside the shower

The luxury bathroom with onyx tiles carries that stone impression beyond the shower itself. On the wall behind the vanity, the darker onyx-like surface forms a clear backdrop for the sink area. It is a strong surface, but not a busy one. Against the lighter surrounding walls, it anchors the room and makes the wash zone read as a separate part of the plan. The material shift is subtle in area, direct in effect.

Near the shower, the same family of stone-look finishes appears again in the bench and wall details. The surfaces are kept in square and mitered edges, so the lines stay crisp where the materials meet. That precision matters here. Rather than relying on ornament, the room uses junctions, reveals and surface depth to create interest. The onyx language works because it is repeated in measured places, not spread everywhere at once.

A custom double vanity with room to clear the surface

The custom double vanity is built as a wide timber unit with a matching bespoke basin. Its scale suits the wall it sits on, and the wooden front softens the stronger stone surfaces nearby. Two basins allow the area to work for more than one person at a time, while the clean countertop keeps toiletries from taking over the room. The vanity does not try to hide its size; it uses it to define the long wall.

Above the basin, the mirror cabinet with storage is the element that keeps the wash area visually calm. The cabinet offers plenty of space behind the mirrored front, so the wall stays clear of loose items. In a room with several strong materials already in play, that storage matters. It allows the vanity zone to read as one long band of wood, reflection and light, rather than a collection of separate objects.

Light, reflection and the straight ceiling line

Recessed spots in the white ceiling add a measured layer of light across the bathroom. Their placement keeps the ceiling line clean and the reflections controlled, especially around the glass shower and the mirror cabinet. The room uses light as a surface in its own right. It lands on the tile texture, catches the glass, and settles on the vanity top without creating visual clutter.

The ceiling itself stays plain, which sharpens the contrast with the more expressive material palette below. That restraint gives the bathroom room to breathe, but it also makes the details easier to read. The shower enclosure, the vanity and the stone-look wall each keep their own place. Nothing is forced together. The composition works because the room gives each surface a clear role.

Materials that carry the room

This luxury bathroom with onyx tiles combines ceramic tile, glass and stone-look surfaces in a way that stays direct. The green bar tile shower, the onyx-like wall section and the marble-look shower bench each use a different texture, yet they share the same compact, structured language. Even the metal fittings follow that logic: slim, precise and fixed to the surface rather than left to stand apart.

According to the project information, the tile work and furnishings were supplied through named specialists, with custom pieces used for the vanity and mirror cabinet. What matters in the finished room is how those elements meet. The shower niche runs neatly across the full width, the bench is cut into the corner, and the storage cabinet lifts the basin area away from visual noise. The bathroom ends up feeling ordered because the surfaces are resolved carefully, one by one.

Photography by Joep Scholten.