Double-height living room with panoramic windows and a blue C-shaped feature wall
The double-height living room sets the tone as soon as you step inside. Tall glazing pulls the eye upward, while the blue C-shaped feature wall wraps the lower level and frames the view beyond. Around it, the palette stays measured: blue, grey, wood, and a few stone-like surfaces. The result is a duplex apartment interior that reads as one sequence of spaces rather than two stacked floors. Curved corners, straight runs, and the height of the room all work together to keep the plan open without losing definition.
Light, height, and the blue volume
The living area on the lower floor is built around volume. Panoramic windows line the outer edge, bringing the outdoor view directly into the room and making the ceiling height feel even greater. Against that glazing sits the blue feature wall, shaped as a C and treated almost like a piece of furniture at room scale. It sets up the seating area, holds the composition together, and gives the double-height living room a clear front edge. In several views, the wall reads as both backdrop and marker, especially where the black window frames cut through the glass.
That blue surface is not isolated. It connects visually to the upper level, where the same curve language continues in transitions and openings. The lower and upper floors remain distinct, but the detailing keeps them in conversation. Instead of relying on decoration, the design uses proportion and geometry: the height of the room, the arc of the wall, and the long horizontal lines of the glazing. The effect is strongest when daylight lands on the grey and wood tones nearby, because the colour contrast becomes more legible without overpowering the room.
Wood ceilings that change from room to room
Overhead, the ceiling treatment shifts as the project moves through the duplex apartment interior. Some spaces use wood ceiling beams, others are finished with a wood slat ceiling that runs in tight lines and creates a clear rhythm above the furniture. The beams and slats are not repeated as a single formula. Each room has its own version, which gives the plan a series of distinct moments rather than one continuous finish. In the images, this is visible in the way the timber ceiling meets hanging light clusters and recessed spots, letting the surfaces do more than simply cover the structure.
The entrance sequence makes that approach especially clear. Wood slats frame the staircase and rise around the void, so the stairwell becomes part of the interior language instead of a separate circulation zone. Grey marble-like flooring gives the base of the composition a cooler note, and the vertical timber adds texture without closing the space in. The staircase with wood accents turns into a visual hinge between levels, with the slatted edges tracing the route upward and the balustrade lines keeping the movement readable from below.
How the stair and void are framed
Seen from the lower floor, the stair zone is less a passage than a framed opening. Vertical slats curve around the edge, and the wood repeats above to form a ceiling pattern that changes as you move. That detail matters because the duplex apartment interior depends on transitions: from entry to living room, from stair to upper hall, from open space to enclosed rooms. The materials do the linking work. Glass, timber, and metal-look elements keep the edges clear, while the marble-like floor and black window frames sharpen the contrast.
Upper-level rooms with a shared line of sight
Above the double-height living room, the family room opens into a study through metal doors with faceted glass. The glazing softens the boundary without hiding it, so the upper floor can shift from social space to quieter work area in a single move. That sequence is visible in the photographs: lounge seating, the glazed partition, then the study beyond. The arrangement suits a duplex apartment interior where rooms need different levels of privacy, yet still belong to the same visual structure. Curved corners and open thresholds keep the route loose and easy to read.
The built-in bar becomes the clearest fixed point on this level. Its stone counter projects slightly, creating a ledge that reads from across the room. That small shift in depth turns the bar into a viewing point as well as a serving surface. Around it, the cabinetry is handled with the same restraint seen elsewhere: white and wood panels, inset niches, and a diagonal oak laminate pattern that forms repeated diamond shapes. It is a controlled composition, but not a flat one. The different directions in the grain and the cut of the panels keep the wall active.
Storage, surfaces, and the white-and-wood joinery
Built-in wardrobes white and wood appear in several rooms, usually where the walls need to do more than store items. The contrast between painted fronts and timber panels keeps the cabinets light enough for the larger spaces, while still giving them enough presence to anchor a wall. In the bedroom images, these built-ins sit alongside wood ceiling beams and restrained lighting, so the storage reads as part of the room rather than as a separate insert. The same approach appears around the bar and the study transition, where joinery, door frames, and wall surfaces line up cleanly.
The oak laminate unit with its diagonal pattern deserves a separate look. The diamond repeat is not loud, but it changes how the surface catches light. From one angle it reads as a field of small facets; from another it becomes a more regular grid. That shift gives the storage wall movement without extra ornament. Near it, the stone-like counter and the grey flooring keep the temperature of the palette in check. Blue remains the strongest colour note, but it works because the wood and stone tones keep meeting it halfway.
Bedrooms with different ceilings and the same material language
Upstairs, the bedrooms are treated as individual rooms rather than copies of one another. Each one has a different ceiling arrangement, with wood beams or timber elements set against separate colour choices. One room uses a stronger blue tone in the ceiling and around the beams, which gives the space a more playful edge, especially when paired with the lighter walls and the soft furniture below. Another room keeps the palette calmer and lets the timber remain visible. The shared thread is the way the ceiling becomes an active surface instead of a blank lid.
Light fixtures help to define those rooms as well. In the images, clusters of glass pendant bulbs appear in living and circulation areas, while smaller built-in spots are used in lowered ceilings and passage zones. That layering of light supports the different functions of the rooms: lounging, studying, resting, moving through. It also reinforces the material contrast already present in the project. Glass hangs against wood. Metal doors meet faceted panes. Grey floor surfaces sit beneath the warmer timber parts. The double-height living room may be the first thing you notice, but the quieter rooms carry the same discipline in smaller scale.
The strongest impression comes from how the whole duplex apartment interior handles repetition. The blue accent wall appears in one major gesture, then echoes in smaller pieces of joinery and ceiling colour. Wood slats, wood ceiling beams, and built-in wardrobes white and wood return across the plan, but never in exactly the same way twice. That keeps the spaces readable and gives each zone its own pace. The project does not rely on excess. It uses height, framing, and carefully placed material changes to turn the route through the apartment into a sequence of distinct rooms.
Want to see more of LMC Architecten? View the page of LMC Architecten for even more great projects and company information.








