A 1970s bungalow was taken as a starting point, but little of the original mood was left inside. The outer shell stayed in place and was modernized with plaster and contemporary paint tones, while the interior was rebuilt almost from scratch. That contrast shapes the whole home renovation: from the outside it reads as a restrained bungalow renovation, yet inside the plan, light, and furniture were all rethought.

Keeping the shell, changing the experience inside

The retained shell gives the house its outline, but the interior now follows a different logic. Every wall was repositioned, which allowed the rooms to be opened up and the circulation to be tightened. One half of the bungalow gained a raised roof section, and that move brings indirect light deep into the plan through long, narrow windows. The new ceiling height changes the room proportion without relying on ornament. It is a clear, structural gesture that makes the home renovation legible as soon as you step in.

That same restraint can be seen in the finishes. The house was plastered and painted in contemporary tones, so the surfaces sit quietly behind the larger spatial changes. Instead of drawing attention to themselves, they let the new geometry do the work. The result is a bungalow renovation where the plan and light are the main subjects, not decoration.

A raised roof section with indirect light

Long, slim windows are used to bring light in without opening the roof into a full glass band. The indirect light softens the edge between wall and ceiling, especially in the part of the bungalow with the raised roof section. That detail matters because it keeps the room bright while protecting the calm rhythm of the interior walls. In a home renovation like this, light is not treated as an add-on; it is built into the section of the house itself.

The sightlines in the interior reinforce that clarity. From the kitchen and hall, the view carries toward the living areas and out to the garden. This gives the bungalow renovation a long visual axis instead of a series of closed rooms. The effect is easy to read in the photographs: white walls, light floors, and framed openings that keep the outside present without turning the house into a display of glass.

Custom built kitchen white cabinetry and built-in storage

Much of the interior was made to measure. Nearly all furniture was custom made, and that approach is most visible in the kitchen and hallway. The kitchen uses white custom cabinetry with long handle lines and integrated appliances, so the front reads as one continuous surface before it breaks into drawers and doors. It is a practical way to keep visual noise down in a room that already connects to the rest of the plan.

In the hall, custom storage follows the same logic. Tall cabinet fronts and fitted units line the passage, and the surfaces keep the circulation zone clean rather than crowded. The storage does not compete with the architecture; it supports it. For a home renovation with a complete interior change, that matters. The new layout depends on furniture that can work with the new walls, not against them.

Furniture designed for the room it sits in

Table, fireplace, sofa, and kitchen were all designed by the same hand, which gives the rooms a consistent level of detailing without making them repetitive. The sofa sits low and dark against the pale envelope of the living space, while the table and fireplace anchor the room with more solid forms. Because so much is custom built, the furniture appears as part of the architecture rather than as separate objects placed afterward.

The living room images show how that works in use. Large openings pull daylight across the floor, and the furniture sits in that light rather than blocking it. The room feels measured by edges, not by decoration. Even the ceiling lighting stays close to the surfaces, which leaves the windows and the view toward the garden as the main visual pull.

Architectural garden design with gravel paths and planting

The outdoor space was designed as part of the same project approach. The garden architecture includes lawn, gravel paths, and planted beds arranged in clear bands around the house. Those materials create a strong reading from the windows and terrace: soft grass, textured gravel, and planted edges that break up the harder lines of the bungalow. It is a garden design that uses route and edge as much as planting.

Several exterior views show how the garden ties back to the house. A gravel path runs beside the façade, while the terrace looks back toward the bungalow through openings that repeat the same horizontal rhythm found indoors. The exterior shell was modernized rather than replaced, so the garden could respond to the house’s new lines instead of having to compete with them. That keeps the home renovation readable as one coordinated move across inside and out.

Terrace, lawn, and the view back to the house

The terrace is set against the garden rather than isolated from it. In one view, a long table and chairs sit on the timber platform, with lawn and trees around the edge. In another, the facade is seen through the garden layout, with straight paths and planting areas leading the eye back to the building. The arrangement makes the outdoor space feel planned in sections, not left open-ended.

Gravel is used as a counterpoint to the lawn. It defines the route near the house and gives the garden a sharper line, especially where the planting beds narrow or turn. The material contrast is simple but effective: the texture of the gravel reads against the clipped grass and the planted borders, while the white bungalow stays visually light behind it. In this home renovation, the garden is not a backdrop. It is part of the plan.

Bathroom surfaces that break from the white interior

Most of the house is light and restrained, but the bathroom introduces a different surface language. Pixel-like mosaic tiles appear in green, yellow, and black-and-white patterns, creating a graphic field beside the glass shower screen. The shower enclosure keeps the room open enough to read as one volume, while the tile work gives it a sharper edge. It is one of the few places where color takes the lead.

That contrast matters because it prevents the interior from flattening into one note. The bathroom detail images show the tile pattern as a deliberate interruption in a mostly white project. The shower glass, metal fittings, and small tile modules give the room a more tactile finish, while still fitting within the overall home renovation. The material shift is clear: smooth painted walls elsewhere, denser pattern here.

Across the project, the same principle keeps returning. The outer shell stays and is modernized; the inside is remade through walls, roof height, light, and custom furniture; the garden follows the house with gravel, lawn, and planting; and the bathroom offers a tighter, more graphic finish. That sequence gives the bungalow renovation its structure. It is not about adding more elements, but about changing how the spaces relate to one another.