The steep front slope is the first thing you notice. It pulls the roofline down toward the street side and gives the modern house with pitched roof a sharper profile than a simple gable. Below it, the darker base is cut by horizontal window strips, while the upper volume reads as a separate layer in aluminum standing seam cladding. The contrast is quiet but deliberate: masonry below, metal above, and a large dormer set into the pitched roof to break the long plane.

A pitched roof set against a lower flat-roofed addition

The composition is built from two parts. A main volume carries the pitched roof, and a lower addition steps away with a flat roof. That shift in height keeps the outline legible and makes the side wing read as an extension rather than a competing block. The front slope is relatively steep, so the roof does more than cover the house; it shapes the whole figure. In a project like this, the roof is not an afterthought but the part that gives the volume its direction.

Viewed together, the two masses create a clear answer to the plot rules that framed the design. The maximum eaves height of 4.5 m and the maximum ridge height of 10 m set a narrow envelope, and the maximum built area of 100 m² kept the footprint compact. That made the upper shape especially important. The result is a modern house with pitched roof that uses height, not spread, to define its presence. Permitted extensions were possible within the stated rules, which leaves room for later growth without changing the basic reading of the house.

Dark surfaces, cut into bands

The material palette stays in the anthracite range, but it is not flat. On the upper level and roof, aluminum standing seam cladding creates a fine vertical rhythm. The joints catch light differently from the smoother glazing, so the wall surface changes as you move past it. At the base, an anthracite brick plinth anchors the house and gives the darker upper parts a heavier footing. Between those two bands, window strips open the facade and set a clear line between solid and transparent zones.

This dark modern house design depends on restraint rather than ornament. The repeated vertical seams on the metal surface, the dark brick below, and the narrow horizontal glazing all work as measured parts of one image. Large glazing appears where the interior needs light, but the openings are kept in line with the volume. The house does not lean on decorative gestures. Instead, the surfaces do the work: brick holds the base, metal wraps the upper body, and the windows interrupt the mass in controlled bands.

The dormer as the one strong interruption

Set into the pitched roof, the dormer changes the roof silhouette without softening it. Its scale is large enough to be seen at once, and that makes it the most recognisable element on the upper volume. Because the roof plane is relatively steep at the front, the dormer stands out even more clearly. It is not placed as a small accessory; it is the opening that gives the roof a face. In combination with the standing seam surface, it sharpens the reading of the upper level.

The dormer also keeps the project from becoming too closed. On a house with such dark cladding, a single large opening can reset the rhythm of the whole front. Here it sits against the pitched roof as a clear cut in the plane, linking the roof form to the rooms behind it. The effect is direct. The house remains compact and dark, but the roofline is not static.

How the building rules shaped the volume

The project belongs to a setting with limited construction rules, and that framework is visible in the final form. A maximum eaves height of 4.5 m meant the lower edge of the roof had to stay controlled, while the maximum ridge height of 10 m allowed the pitched roof to rise enough for the dormer to matter. The 100 m² maximum built area encouraged a compact footprint, which is why the house reads as a tight composition of main volume and addition rather than a broad spread of rooms.

What matters here is not the rules in isolation, but how they are translated into shape. The main body takes the height allowed by the plot, and the flat-roofed addition uses the lower range more quietly. Because permitted extensions were allowed next to the maximum built area, the project leaves room for expansion without changing the proportional logic. The result is a modern house with pitched roof that feels governed by geometry rather than excess.

Window strips, large glazing and a measured opening pattern

The facade is divided by window strips that run between the brick plinth and the metal-clad upper parts. They thin the mass without breaking it apart. In places the openings widen into larger panes, and that is where the interior light is allowed to show through. The arrangement avoids random punctures. Instead, the windows are placed as horizontal cuts and larger rectangles that keep the elevation calm even as they open it up.

That measured opening pattern is important for the overall reading of the house. Dark surfaces can easily become heavy, but here the glazing interrupts the mass at the right points. The eye moves from brick to glass to metal and back again. The sequence is easy to read from outside, and it gives the modern house with pitched roof a sharper outline after dark as well, when the larger openings become luminous rectangles in the darker envelope.

Inside, wood and glass soften the darker shell

The interior offers a different texture. In the living room, a wooden ceiling runs across the space, and pendant lights with glass globes hang below it. The wood breaks the hard edge of the exterior materials, while the lighting adds a visible layer without crowding the room. Large glazing on the side lets daylight wash over the surfaces, so the ceiling and fixtures become part of the room’s composition rather than separate decorative objects.

That contrast between dark envelope and lighter interior is visible in the images. The living room does not try to mirror the outside material palette. Instead, the wooden ceiling introduces grain and warmth, and the hanging lamps create points of reflection beneath it. It is a straightforward move, but an effective one: the interior receives the same clarity as the exterior, only with softer surfaces and more light.

A compact house, read through its materials

Because the plot rules limited the size, every decision had to work hard. The anthracite brick plinth gives the base a solid line. The aluminum standing seam facade turns the upper floor into a finer, more textured plane. Window strips and large glazing split those surfaces in a controlled way, while the dormer on the pitched roof gives the roofline its single strong break. Together they build a modern house with pitched roof that is easy to read from a distance and interesting up close.

That clarity is what stays with you. The house does not rely on extra gestures, and it does not need them. Its form is defined by the steep front roof slope, the lower flat-roofed addition, and the disciplined use of dark materials. Even the room inside, with its wood ceiling and pendant lights, follows the same approach: one strong material, one clear opening, and a surface that catches light instead of hiding it.