Teak, metal, and woven surfaces set the tone here. The first piece to catch the eye is a foldable director chair with a clear, functional frame and a grey seat that reads as both light and firm. Around it, the rest of the 2022 introductions move between lounge pieces and textured accents, shifting the page from a single chair into a broader view of teak outdoor chairs and relaxed outdoor living.

A director chair built around clear lines

ANTIBES is the most direct of the three pieces. It takes the familiar director-chair silhouette and gives it a more substantial feel through teak, stainless steel details, and Batyline upholstery. The chair folds, which keeps the profile practical, but the look stays sharp because the frame remains visible rather than hidden behind fabric. In the imagery, the grey seat and backrest sit against the warm wood, and that contrast gives the chair its presence without adding visual weight.

The appeal is in how little the chair tries to hide. Hinges, supports, and the crossing elements beneath the seat remain part of the design language. That makes it easy to read from a distance, especially in an outdoor setting with stone underfoot or alongside a long table. The chair works as a single accent piece, yet it also makes sense in a row, where the repeated wood-and-grey rhythm becomes more pronounced.

Foldable, but not delicate

Because the chair folds, it can move between moments rather than stay fixed in one role. That flexibility is part of the story, but so is the material mix. Teak brings a dense, grounded look, while the metal parts sharpen the frame. The woven fabric detail softens the seat just enough to keep the chair from feeling rigid. It is a good example of luxury outdoor furniture that does not rely on ornament to stand out.

In the product images, the chair appears both in use and in close-up. The studio shots make the grain and joinery easier to read, while the outdoor views show how the frame sits against gravel, cushions, and planting. The result is less about a single hero object and more about how a foldable director chair can hold its own within a larger terrace arrangement.

A day bed that shifts the mood of the lounge

VIGO changes the pace completely. The day bed is wider, lower, and built for longer pauses, with an aluminum frame that keeps the outline crisp. Around that frame runs Ardenza belt in slate or dark grey, which gives the surface a woven, banded look. The included custom cushion is finished in slate as well, so the piece keeps its palette controlled even when it becomes the softest element in the scene.

What stands out is the way the structure remains legible through the upholstery. The belts trace the bed’s volume instead of disappearing into it. That gives the day bed a clearer edge than many padded lounge pieces, and it helps the silhouette stay readable in both studio images and the outdoor setting. The cushion adds depth, but the frame still carries the line of the piece.

Slate, dark grey, and a low horizon

The colour range stays restrained: slate, dark grey, and the natural tone of the surrounding materials. Against gravel and planting, the day bed sits low and wide, almost like a pause in the landscape. It invites a slower use of space, but the page never turns it into a resort cliché. Instead, the images focus on the measured proportions and the way the woven belt wraps the body of the piece.

This is where luxury outdoor furniture becomes more about surface and proportion than about volume. The aluminum frame gives structure, the belt introduces texture, and the cushion brings a softer reading to the top layer. Seen next to the director chair, the contrast is clear: one piece folds and stands upright, the other stretches outward and asks for time.

A patterned pouf that breaks the palette

DESIO brings the most decorative note to the collection. The pouf is covered in a woven fabric with a Meadow pattern, and the geometry is visible even from a distance. Olive, grey, cream, and yellow tones break across the surface in angular shapes, so the piece reads less like a plain ottoman and more like a textile object placed in the room or garden. It works as a geometric ottoman without losing the softness of a pouf.

The shape is practical, but the fabric carries the image. In the studio photographs, the pattern fills the full surface and makes the object easy to read from every angle. In the garden shots, it lands on gravel beside taller planting, where the geometry takes on a different register. It becomes a point of pattern against the more neutral cushions and wood around it, a small object that still shifts the visual rhythm of the setting.

Two sizes, one clear gesture

DESIO is offered in two dimensions, 60×48 cm and 80×42 cm, which gives the piece some flexibility without changing its character. The difference in size matters because the pattern holds its shape across both versions. The woven fabric detail remains visible, and the edge of the pouf keeps a clean outline. In a lounge composition, that makes it easy to use as an accent, a footrest, or an extra surface beside a seat.

The combination of geometry and textile texture ties the three novelties together. The director chair is about frame and fold. The day bed is about length and low volume. The pouf is about surface and pattern. Together they show how teak outdoor chairs, a woven day bed, and a patterned outdoor pouf can share the same project page without slipping into a generic product line. The emphasis stays on how each object is built, not on a sales pitch around the collection.

Material close-ups shape the reading of the collection

The close-up photographs do a lot of work here. They pull attention to the weave of the upholstery, the metal hardware, and the transitions between wood, fabric, and frame. One image isolates the open structure of a chair shell; another lingers on patterned textile, where the motif becomes more important than the object itself. These details keep the page grounded in matter and touch, even when the wider scenes show a relaxed outdoor lounge with cushions and layered seating.

That mix of studio clarity and outdoor context is what gives the project its rhythm. The materials are not presented as abstract samples. They are seen in use, in relation to light, gravel, and planting, and then pulled apart so the viewer can read the weave, the joint, and the stitched edge. For anyone looking at outdoor lounge seating or garden furniture inspiration, the value lies in that shift between overview and detail.

The three introductions stay distinct, but they speak the same language: teak, aluminum, woven surfaces, and a controlled palette that moves between grey, slate, and muted accent tones. The result is a small collection with clear differences in shape and purpose. The foldable director chair brings structure, the day bed offers length and rest, and the patterned pouf adds texture. Together they turn the 2022 launch into a concise study of luxury outdoor furniture shaped by material and form.