Concrete sets the tone before the glass does. Along the busy road, the villa reads as a closed volume from the front, while the rear opens into broad panes that pull daylight deep into the rooms. That split defines the whole house: a concrete villa with lots of glass, built to face noise on one side and long views on the other. The contrast is immediate, and it shapes both the exterior reading and the experience inside.

Closed at the road, open toward the garden

The front elevation keeps its distance. Solid concrete surfaces and a limited number of openings shield the interior from the express road, while the back side loosens into a long glass wall. The result is not a single uniform envelope, but a house that changes character depending on where you stand. From the outside, the mass feels grounded. From the rear, reflections in the glass and the sightline toward the garden give the villa a much lighter reading.

That shift is also visible in the way the house meets the ground. Terraces extend from the rear façade, and the pool sits close to the main living spaces, with concrete edges and straight paving lines keeping the setting restrained. The pool and terrace in concrete style tie the indoor rooms to the outdoor plane without making the transition decorative. Everything is drawn in clear rectangles: water, paving, glazing, and the horizontal lines of the overhangs.

Two underbasements linked by a patio

Both the main house and the pool house have an underbasement, which gives the composition a second layer below grade. Rather than separating the two volumes completely, a patio connects them. That courtyard break brings light and air into the lower level and also sets up a route between the functions. The pool house connected by patio is not an add-on at the edge of the plot; it is part of the same spatial sequence, with the ground plane acting as connector.

The patio is important because it cuts into the mass of the building and gives the concrete structure a pause. Between the heavier enclosed parts and the open rear glazing, that exterior void becomes a hinge. It also explains why the villa feels larger than a single block: there is the main volume, the lower levels, and then the opening of the patio that links them. The underbasement villa gains depth through that move, not through ornament.

Light, storage and darker accents inside

Inside, the villa keeps the same disciplined language. White built-in cabinetry runs floor to ceiling in several rooms, flattening storage into the wall so that the room can stay visually open. In the kitchen, a dark accent wall pulls the eye toward the working zone and gives the white joinery a sharper edge. The contrast is direct, not theatrical. It helps define the room without adding extra objects or visual noise.

Concrete surfaces and wall panels appear alongside wood flooring and pale tile, which softens the sequence of rooms without changing the overall restraint. The modern concrete and glass home uses these materials to set up clean lines rather than a layered decorative scheme. In the living area, a dark fireplace niche and hanging lights mark the seating zone, while large windows keep the garden present even when you are seated indoors. The room does not close in; it frames views.

A minimalist interior shaped by built-in elements

The strongest interior gesture is probably the amount of integrated storage. Cabinet fronts sit flush with the walls, and the white finish makes the joinery read as part of the architecture rather than as separate furniture. That approach leaves the circulation clear and lets the concrete, wood and glass do the work of defining the rooms. Even in the bathrooms, the built-in approach continues through long counters, recessed niches and narrow storage zones.

Several rooms rely on one dark element to anchor the composition. A kitchen volume, a fireplace wall, or a recessed panel in a corner brings depth to a mostly light palette. Because the surrounding surfaces stay calm, these darker areas stand out clearly and give the house a measured rhythm from one space to the next. The effect is practical before it is decorative: it helps organize sightlines, especially in rooms that open toward the rear glazing.

Rooms that open to the outside without losing their edge

The rear of the house is where the project becomes most legible. Glass spans wide across the back, and the rooms pick up the garden, terrace and pool as part of their daily view. The openings are large enough to let the interior feel extended, yet the concrete frames keep the composition sharp. This is where the closed front and open back idea becomes more than a façade strategy. It changes how the villa is lived in, moving from enclosure to openness as you walk through it.

That same logic appears in the patio zones, where glass balustrades, overhangs and paved surfaces create a sequence of semi-outdoor spaces. The outdoor areas are not treated as leftover ground. They are organized with the same precision as the interior, using straight edges and restrained materials. Seen together, the pool, terrace and connecting patio give the villa a clear horizontal structure that mirrors the geometry of the house itself.

Measures that respond to the way the house was used

According to the project information, the professional activities of the builder led to a number of sustainable interventions focused on energy efficiency and energy generation. Those measures sit within the house as part of its technical logic rather than as a visible theme. The important point is that the villa was adapted through concrete decisions around performance, not through surface treatment. That keeps the architecture grounded in the way the building is actually used.

This practical layer fits the setting well. The house stands next to the company site, with a park separating the two, so the plan reflects a lifestyle where living and working are closely linked. Other family members active in the business have settled around the same grounds, reinforcing that relationship between home, work and landscape. The villa’s concrete shell, rear glazing and patio connection all support that pattern: solid where it needs to be, open where it can be.

A villa built around contrast and sequence

What stays with you is not a single feature but the sequence between them: heavy concrete at the road, light-filled rooms toward the garden, a patio between the house and pool house, then a lower level that extends the plan below the surface. Each move is simple on its own. Together they give the concrete villa with lots of glass its clarity. The architecture does not rely on gesture. It relies on clear edges, controlled openings and a careful use of light.

That clarity also makes the interiors easy to read. White built-in cabinetry, a dark kitchen accent wall, glass partitions and long views to the outside all work in the same direction. The house remains calm because every part has a clear job. It is a modern concrete and glass home that uses restraint to organize movement, storage and outlook, and it does so without losing the directness of its materials.