Interior Studio van Maanen

Interior renovation of a historic townhouse with a brighter, more open layout

Light now reaches deeper into the rooms, catching glass doors, painted paneling and the edges of stone surfaces. In this interior renovation of a historic townhouse, the brief was not to erase the building’s age, but to give it a clearer plan and a fresher reading. The owners had lived here for nearly three decades and wanted the house to feel more efficient while still reflecting their own taste. The result is a modern classic interior that works through openings, storage and carefully placed light rather than through decoration alone.

Interior renovation of a historic townhouse as a spatial starting point

Walls were opened to create longer sightlines, and the south-facing windows were replaced to bring in more daylight. Custom metal-and-glass doors now mark the transitions between rooms without closing them off. Their slim profiles echo the street’s ornamental details without copying them directly. The effect is practical first: light travels farther, the circulation is easier to read, and the rooms no longer feel broken into small, sealed pockets. It is an open-plan layout with glass, but one that still keeps clear thresholds from one area to the next.

The house extends over five levels, including a rooftop terrace and a garden, yet the strongest impression comes from the way the interior now connects those levels visually. A stair landing, a glazed doorway, a stretch of paneling, then a brighter room beyond: each shift is measured. Instead of relying on grand gestures, the renovation uses simple spatial moves. Openings are placed where they matter most, and the building’s original structure is left legible through the new arrangement.

The basement becomes a full level

What was once a lower storage zone now functions as a proper floor. The basement holds a guest bedroom, a bathroom, a wine cellar and additional storage, which gives the house more room without changing its overall character. The wine cellar with glass frontage is especially striking: rows of bottles sit behind transparent doors, with wood shelving and metal details keeping the display orderly. It reads as part of the home rather than as a separate utility space.

Daylight is scarce below ground, so the materials do some of the work. Pale walls and reflective glass keep the space from feeling heavy, while the darker floor and the timber shelving add definition. The same attention to built-in storage appears elsewhere in the house, but here it becomes especially important. Every shelf, cabinet and door has a role, allowing the basement to carry guest use, storage and display at once.

Custom storage that sits close to the wall

Across the house, custom built-in cabinets hold the layout together. In the entrance and upper rooms, white-painted paneling and recessed niches keep surfaces calm and usable. In other areas, wood shelves and framed openings introduce a stronger rhythm. The storage does not compete with the architecture; it follows it. That is what makes the interior feel measured rather than crowded, even when it holds books, art, lighting and everyday objects.

The kitchen continues that logic with tall cabinetry, long worktops and a central island. Stone-look finishes appear on the counters and surrounding surfaces, giving the room a solid base without visual weight. Large windows along the back wall bring in daylight, and the island sits where the room can be used from both sides. Seen together, the kitchen island with stone-look finishes and the surrounding storage make the room feel structured, not decorative. Interior renovation of a historic townhouse remains connected to the layout, materials and daily use of the home.

Colour kept low, then lifted with accents

Neutral tones set the background throughout most of the home, but the palette is never flat. Blue, green and purple appear as accents in the furniture, textiles and selected finishes, while warm woods and metal details hold the scheme in place. The contrast is restrained. Darker surfaces show up in the bathrooms and lower areas; lighter walls and ceilings keep the upper rooms open. The materials do not shout for attention, yet they prevent the house from settling into one note.

Architectural lighting is used to read the rooms as much as to light them. Wall washers and ceiling fittings define surfaces, while vintage and antique decorative pieces add a more personal note. Some lights are treated almost like objects in a collection, others as part of the architecture itself. That split suits the building. The rooms need both a clear framework and the kind of detail that makes a house feel inhabited, especially in spaces with crown molding and paneling.

Bedrooms and bathrooms shaped by smaller gestures

In the main bedroom, craftsmen painted stripes on the walls so the surface resembles patterned wallpaper. Because the stripes are hand-applied, the finish carries a slight irregularity that softens the room. Classical ceiling trim frames the space above, and the built-in cabinetry rises cleanly along one wall. The room stays restrained, but the painted treatment gives it a distinct edge. It is a small move, yet it changes how the proportions are read.

The bathroom takes a different route. Circular stained-glass-inspired windows bring colour and shape to an otherwise controlled room, and the custom vanity gives the space a sharp, tailored line. Dark tile surfaces and a glass shower enclosure add contrast, while the stone-like basin and surrounding finishes anchor the room. This bathroom with stained glass accents uses just enough ornament to connect to the age of the house without turning the room into a replica of the past.

Glass, tile and stone in close conversation

Across the wet rooms, glass and tile do more than separate functions. They throw light, catch reflections and draw attention to the frame around them. The shower enclosure is clear rather than dominant, which lets the wall surfaces remain visible. In the kitchen and bathrooms alike, stone-like finishes introduce a cool edge against the warmer timber elements elsewhere in the house. It is a quiet material mix, but a deliberate one.

The result of this interior renovation of a historic townhouse is visible in the way each room now relates to the next. Doors open wider, storage sits closer to the wall, and light finds a path through glass and openings that were not there before. The house still carries its original gravity, but the interiors move with more ease. That is what makes the modern classic interior convincing: not a change of style for its own sake, but a clearer way of living inside an older structure.

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