The first thing that catches the eye is the contrast between patterned walls and the quiet weight of the materials around them. In this luxury farmhouse interior, a renovated 18th-century farmhouse has been fitted out for a young family, with each surface chosen with daily use in mind. Leather appears on the staircase and the fireplace wall, while the rooms around it lean into lighter textures, reflective surfaces and warm light. The result is a warm chic interior that feels composed without losing its domestic rhythm.

Wallpaper, mirrors and a living room that holds the room together

The living spaces are built around strong visual anchors. A round mirror with a brown frame sits against a wall of patterned wallpaper, catching the glow of glass pendants with amber bulbs. Elsewhere, the wallpaper takes on a bolder role, filling the wall behind the seating area with botanical and animal-like motifs. It is used as a surface, not as decoration alone, and that choice gives the room its main tempo. This is where the idea of luxury living room styling becomes visible in the placement of light, print and proportion.

The seating zones are kept low and generous, with soft upholstery, cushions and long curtains that frame the windows instead of competing with them. That restraint lets the patterned wall do the heavy lifting. A few images show the same strategy from a different angle: amber-toned pendants, a sofa set close to the wall, and a mirror reflecting the layered textures back into the space. The room reads as one interior rather than a series of isolated corners, even when the patterns shift from one wall to another.

Glass pendants and the pull of amber light

The lighting is part of the architecture of the room. Several glass pendants hang above the seating and dining areas, each with an amber glow that softens the stronger surfaces below. Their clear forms keep the ceiling light, while the warm bulbs pick up the brown, beige and green tones in the wallpaper and furnishings. In the reflections, the lamps appear again and again, which gives the interior a deeper sense of repetition without making it feel staged. It is a practical way of using light to connect one living zone to the next.

Custom wall inlaid wood and furniture that follows the material story

Across the room, the custom wall inlaid wood appears in a more geometric register. One wall unit is built from repeated diamond-like panels, opening into niches and shallow compartments. The structure gives the wall a measured rhythm, and it sits comfortably beside the softer upholstery and the patterned paper. Similar inlay work returns in the furniture: tables and mirrors finished in leather, cabinets with wood detailing, and smaller decorative pieces that continue the same material vocabulary. Nothing feels ornamental for its own sake. Each object seems to answer a nearby surface.

The source material mentions furniture from the studio’s own label, and that consistency is visible in the way the pieces relate to the space. Rather than filling the room with many unrelated objects, the interior relies on a few carefully placed elements: a console with a patterned front, a mirror with a broad circular edge, and decorative pieces such as handmade shell vases and framed photographs. These details keep the room personal, but they also maintain the discipline of the larger composition. That is what gives the project its distinct balance between domestic detail and a more polished finish.

From console to mirror: the entry keeps the lines narrow

The entrance works with vertical slivers rather than broad gestures. Several narrow mirrors with gold-coloured edges are arranged above a console, and the front of the cabinet repeats the same inlaid pattern seen elsewhere in the house. Behind them, glazed double doors in a dark metal-look frame and stone-like wall panels introduce a harder edge. The mix is clear and controlled: reflective strips, grain in the wood, and a surface that reads almost mineral beside it. The entry does not try to impress through size. It uses line and finish instead.

Staircase with lit treads and leather details

The staircase is one of the clearest moments in the house. Light runs along the treads in LED strips, turning the steps into a lit sequence rather than a dark transition between floors. Leather has been applied both to the stairs and to the fireplace wall, which adds a tactile layer to a route that would otherwise be purely functional. Seen beside the adjacent wall finishes, the leather brings depth to the circulation area without interrupting it. The stair detail is practical first, but it also sets the tone for the rest of the renovation.

That same attention to use is important in a home designed for young children. The material choices stay robust, yet they are never blunt. Stone-like panels, leather, wood inlay and patterned wallpaper all appear within the same interior, but each is placed where it can do a job: soften a surface, catch light, protect a wall or give a room a focal point. The project avoids overstatement. Instead, it builds character through the repetition of useful details that can stand up to daily life.

Where the dining area picks up the same language

The dining zone continues the same material story with its glass pendants, upholstered seating and wall surfaces that carry texture close to the table. In one view, a tufted bench sits against the wall beneath layered lighting, while in another the reflections from nearby mirrors double the room’s depth. The palette stays grounded in brown, beige, grey, black and amber, with small green notes in the wallpaper and accessories. It is a room that depends on contrast: soft against hard, matte against shine, pattern against plain fabric.

Because the house is a renovated farmhouse, the old shell matters even when it is not shown directly. The interiors respond to that background with measured insertions rather than heavy masking. Leather, wood, glass and wallpaper sit close together, but the detailing stays calm enough for the building to remain legible. That makes the project read as a fully considered interior project, not a collection of separate room schemes. The rooms speak the same language, but each one says it differently.

Small objects finish the story. Handmade shell vases, framed photographs and rounded mirror forms add a human scale to the sharper wall compositions. They sit beside the more structural elements, such as the inlaid cabinetry and the illuminated stair edges, so the house never becomes too formal. It is this mix of reflective glass, textured wallpaper, wood grain and leather that defines the project. In a renovated farmhouse, those materials have room to breathe, and here they are used with enough discipline to keep the whole interior clear, practical and quietly dressed.