A round tabletop can shift the whole reading of a terrace. Set low beside a sofa, it works as an outdoor side table; raise it and the same family moves into dining or high dining territory. This collection is built around that idea of switching scale without changing the visual language. Different heights, widths and shapes can be combined into one outdoor table composition that follows the way the terrace is used, rather than forcing one fixed setup.

From side table to dining table

The collection is available in four heights, which makes the transition from a compact side surface to a more formal dining setting easy to understand at a glance. A low table can sit near a lounge chair or sofa edge, while higher versions step into low dining, dining and high dining positions. That range gives the series its project-like character: one family of tables can support several seating arrangements across the same outdoor room. The result is not a single object, but a set of options that can be placed where the terrace needs them most.

Shape matters here as much as height. The tables can be ordered round, with diameters from 40 to 140 centimetres, or square in 70 or 80 centimetres wide. Those proportions make it possible to pair a small table with a lounge corner, place a larger round patio table next to a dining setup, or line up a few pieces at different heights. The changes are subtle in isolation, but together they alter how people move, sit and set things down around the terrace.

Mixing heights across one terrace

A modular outdoor table only becomes interesting when the pieces relate to each other. Two or three tables at different heights create a stepped composition that reads clearly in the images: one surface close to seating, another slightly higher, a third marking a separate pause in the layout. The mix is practical, but it also gives the terrace a more layered look. Instead of one repeated gesture, the eye moves between levels, edges and clear gaps between the tables.

That flexibility is visible in the way the tables sit near corner benches and loose chairs. A low table can hold a cup or book within reach of a sofa arm, while a taller version stands further into the space and supports dining use. Because the series offers several widths and four heights, it does not depend on one fixed arrangement. The same outdoor table collection can be adapted to a compact nook or a broader patio plan without changing its basic character.

Round and square formats

The round patio table is the most immediately visible form in the imagery. Its curved edge softens the straight lines of the seating and the wall behind it, and the central base keeps the footprint visually light. In a terrace with stone surfaces and a dark wall, that round profile provides a clear counterpoint. The square option works differently: it sets up a firmer edge and suits tighter placements where the table needs to sit close to a sofa or chair without taking over the space.

Close details make the construction legible. The aluminum table frame comes in anthracite and in the shade called chalk, both of which sit quietly against the terrace materials shown in the photos. The tops are specified in two Dekton tones with veining: rem in a lighter version and kelya in a darker one. Seen beside the woven chairs, pale cushions and stone walls, those surfaces register as measured contrasts rather than decoration. The tables pick up the tones already present in the setting and hold them in place.

Materials that stay visible

Material choice is part of the table’s identity, not a separate layer on top. The aluminum base keeps the profile slim and direct, while the veined tabletop adds a more tactile reading to the surface. In the images, the tables sit among black stone-like wall panels, natural stone retaining walls and light terrace paving. That combination gives each tabletop a clear job: to bridge the seating and the harder architectural surfaces without disappearing into them.

Different views bring out different aspects of the collection. One image isolates a light tabletop with a darker centre point; another shows a darker table under a canopy of glass and masonry, with chairs drawn close on either side. There is also a clear detail of a table beside a bench, where the round edge and central support are easy to read. These moments do not overstate the product. They simply show how the outdoor table collection behaves in relation to scale, material and use.

Placed in a lived-in outdoor room

The setting around the tables matters because it shows the collection working inside a real composition. A stepped garden edge, a dark textured wall, pale floor surfaces and restrained upholstery form a steady backdrop. Against that, the tables act as markers for different zones: a lounging corner here, a dining spot there, a smaller surface tucked close to seating. The images suggest a terrace that is planned through furniture placement as much as through walls and paving.

That is where the outdoor side table format becomes especially useful. It can sit lightly next to a sofa arm, then be repeated in a second height to create a cluster with a clearer rhythm. The same logic applies to the low dining outdoor table and the high dining outdoor table versions. Rather than treating each piece as an isolated object, the collection invites combinations that respond to how the terrace is actually occupied throughout the day.

A collection shaped by proportion

Because the range includes round diameters from 40 to 140 centimetres, as well as square sizes in 70 or 80 centimetres, the collection can scale up or down without losing its character. A smaller table reads as a neat companion to seating; a larger round version becomes the anchor for a dining arrangement. The point is not excess choice, but controlled variation. Each configuration keeps the same visual grammar: a clear top, a defined base and proportions that sit comfortably in an outdoor room.

Seen across the terrace images, the tables are never isolated from the architecture around them. They sit beside stone walls, near glass openings, and among seating with woven textures and pale cushions. That context gives the series its strongest reading. It is an outdoor table collection designed to be adjusted, repeated and grouped, with enough range to move from one use to another while keeping the terrace calm and legible.