The exposed timber roof structure sets the tone from the first step inside. Beneath the asymmetrical gable roof, the room opens up in long lines of wood, plaster, and glass, with large windows pulling in views of greenery. The villa renovation keeps that structure visible instead of hiding it, so the interior reads as a sequence of planes and openings rather than a flat remake. A freestanding fireplace and a stained glass detail remain part of the story, while new finishes sharpen the surfaces around them.

Open living beneath the timber frame

The main living space follows the pitch of the roof, and the ceiling remains honest about it. Wooden planks run across the slope, giving the room a clear direction, while the high windows lighten the walls below. Rounded wall openings interrupt the straight lines and bring a softer edge to the plan. The result is not a room packed with decorative gestures, but one where the structure itself does the work. In this villa renovation, the timber frame becomes the main interior feature and anchors the contemporary villa interior.

That sense of openness is reinforced by the way the floor moves through the space. New herringbone parquet introduces a tighter rhythm underfoot, contrasting with the larger scale of the roof above. The pattern gives the room a steady visual base without competing with the beams. Around it, pale wall surfaces and dark window frames keep the composition clear. The house never feels overworked. Instead, the original shell and the updated finishes are left to speak in different registers, which suits a 1970s villa renovation with a strong architectural outline.

Original details kept in view

Some elements were clearly meant to stay. The freestanding fireplace stands apart from the walls, giving the living area a fixed point without closing it off. Nearby, the stained glass detail adds a note of colour and texture that breaks the smoother surfaces around it. These are not treated as relics; they sit naturally beside the newer work. That approach matters in a villa renovation where the original identity is part of the value. The room keeps its older markers, but the circulation and finishes around them have been tightened.

Rounded openings and curved wall cut-outs shape the interior in several places. They slow the movement from one space to the next and create framed views rather than hard thresholds. A brick or stone-lined fire niche appears in the images as a solid mass against the lighter walls, while nearby joinery and plaster surfaces keep the palette restrained. Small architectural decisions like these change how the room is read. They give the interior depth, especially when seen against the long lines of the roof and the broad glazing.

Natural stone at the threshold

The hall introduces a different texture. Natural stone flooring replaces the softer feel of timber and gives the entrance a more grounded surface. Its density suits the traffic of a threshold, but it also sets up a clear contrast with the herringbone parquet that appears deeper in the house. In the images, stone reappears as a pale surface on joinery and low wall sections, tying the entrance to other parts of the plan. This use of natural stone flooring gives the villa renovation a firm starting point without turning the interior heavy.

White custom joinery appears in the same zone, fitted tightly into walls and openings. It keeps the room edges clean and lets the stone read properly. The effect is practical, but also visual: storage and surfaces are absorbed into the architecture instead of standing apart from it. That approach suits a contemporary villa interior where older forms remain visible, yet the day-to-day functions have to work harder. The joinery, stone, and timber are all present in one field, each with a different surface and weight.

Rooms that were expanded, not erased

The renovation also extended the house by adding bedrooms and bathrooms. That change matters because it shows the project was not only about preserving a silhouette or polishing one room. The house had to take on more use while keeping its existing character intact. The new spaces continue the same material conversation: white walls, wood accents, tiled floors, and careful openings. Even where the photographs shift into bathroom territory, the language remains consistent. Surfaces are plain enough to hold the light and direct attention to the shape of the room.

In the bathrooms, a white basin cabinet and rectangular mirror sit under wooden ceiling panels, while another image shows a tiled shower area with a patterned floor. The palette stays restrained so the surfaces can register clearly. These rooms do not chase contrast for its own sake. They echo the larger villa renovation through proportion and material. That is especially visible in the way tile, timber, and plaster meet at corners and edges, leaving the fittings legible rather than decorative.

A house that still shows its structure

The asymmetrical gable roof remains one of the house’s most recognisable features, and the interior renovation makes sure that shape stays readable from inside. The timber roof structure runs across the rooms like a frame, while the rounded openings and the freestanding fireplace interrupt that geometry at key points. It is a measured approach. The original character is not frozen, but it is also not overwritten. In a 1970s villa renovation, that restraint allows the new surfaces to sit alongside older ones without flattening the building’s identity.

What comes through most clearly is the relationship between old and new materials. Herringbone parquet brings rhythm to the rooms, natural stone gives the entrance weight, and the preserved details carry memory into the updated plan. Large windows keep the interior tied to the greenery outside, but the real strength of the project lies in the interior itself: a villa renovation that keeps its roof, openings, fireplace, and stained glass visible while making space for additional rooms and a more current way of living.