White cubic volumes set the tone at the edge of the site, where black windows cut clean openings into the plastered surfaces and natural stone lifts the corners and vertical edges. The composition reads as a cubist house first: compact blocks, sharp lines, and materials left visible. From the street side, the balance between white render, stone, glass and dark timber details gives the house its rhythm without adding noise.

White plaster, stone edges and black frames

The exterior is built from natural stone masonry, plastered façades, timber and glass. That mix keeps the volume from feeling flat. The black windows and dark profiles draw the eye to the openings, while the stone accents break up the white surfaces and mark the corners of the house. A horizontal louvre layer appears above and beside several openings, adding a stronger line to the cubist house and making the glazing feel set deep into the structure.

Seen from different angles, the house keeps returning to the same clear idea: a modern villa with strong blocks and controlled openings. The white render is not left on its own; it is interrupted by narrow stone piers, taller stone elements and darker timber details. Those shifts matter because they give the volume depth. The result is not decorative. It is made of simple parts arranged with enough contrast to keep each plane readable.

Large sliding glazing toward the terrace

At the rear, the house opens toward the terrace with large sliding glazing and wide glass panels. The transition from inside to outside is direct, with the terrace sitting close to the living spaces rather than being detached from them. The glazing is paired with solar control glass, and that detail is visible in the way the openings stay large without becoming visually heavy. Black windows frame the view while the exterior timber louvres soften the edge around the glass.

The outdoor area is shaped with gravel, paving and lawn, so the terrace does not read as a single hard surface. A broad paved zone sits beside the house, then gives way to planted edges and grass. That shift in ground treatment keeps the rear setting calm and legible. The house looks out to a wooded edge, and the long panes make that view part of the interior sequence rather than something seen only from the garden.

A cantilever veranda beneath the main volume

The veranda projects partly free of the building, giving the terrace a sheltered strip under the upper mass. It feels lighter than the main volume because its underside is open and its connection to the house is direct. The arrangement lets the terrace continue under cover without enclosing it. In the same zone, an outdoor fireplace is built into natural stone, turning the stone detail from a façade element into a fixed point in the outdoor room.

The stone fireplace sits close to the paving, with the opening set into a heavier surround. It is not hidden or softened. It is part of the architecture, and that makes the terrace feel anchored. The surrounding black windows and glass doors reflect the outdoor setting, while the veranda edge creates a clear boundary between covered and open space. The house uses that edge well: solid where it needs to be, open where the view matters most.

Stone, glass and shadow in one line

From the rear, the composition becomes quieter and more compact. The cantilever veranda, the black window frames and the stone fireplace all sit within a restrained palette. Light catches the plaster, then drops into the darker recesses around the glazing. The contrast is strongest where the stone meets the glass. That is where the cubist house shows how the materials work together without any need for extra surface treatment.

Solar panels kept out of sight

On the flat roof, solar panels are mounted out of view. The roofline stays clean from ground level, which suits the block-like form of the house. Flat roof solar panels are often visually exposed, but here they are set back so the roof remains visually calm. That decision lets the white volumes and stone accents remain the main expression, rather than turning the roof into a technical focus.

The roof treatment also reinforces the geometry of the house. With no pitched surface to interrupt the silhouette, the cubic outline reads clearly against the sky. The panels sit as a practical layer above that line, hidden from the main viewpoints. It is a simple move, but it keeps the architecture disciplined and lets the massing stay central.

Light wood flooring and a spare interior

Inside, the tone shifts but the language stays the same. Light wood flooring runs through the rooms, softening the white walls and ceiling planes. Black frames return at the windows, keeping the interior linked to the exterior composition. The rooms are bright, but not empty. The materials are limited and readable, which gives the interior a minimal interior character without making it cold or severe.

In the kitchen area, a large glazed opening brings the terrace back into view. The island sits against the grain of the floor, and the pale surfaces keep the room open. Wood tones appear in the cabinetry and details, while the darker window profile sets a firm edge around the light. The room does not rely on ornament. Its effect comes from proportion, the long sightline to the outside and the contrast between warm timber and white plaster.

A fireplace zone that repeats the stone theme

Another stone detail appears inside around the fireplace zone. The opening is set into a heavier surround, echoing the outdoor fireplace and tying the interior back to the same material logic. Against the light floor and white walls, the stone reads as a fixed element rather than a decorative finish. It gives the room a point of focus while leaving the rest of the space open and uncluttered.

The stair, visible in the interior sequence, adds a lighter vertical note. Its open form keeps views moving through the house and avoids breaking the spatial flow. Combined with the black windows, light wood flooring and plain wall surfaces, it supports the same disciplined atmosphere seen outside. The project stays consistent from one side of the house to the other: stone where weight is needed, glass where the view matters, and clear edges throughout.

A review on Bouwnu.nl mentions a smooth building process, tidy site conditions and careful follow-up after completion. That comment fits the house itself, which is precise in its detailing and restrained in its materials. Nothing is overworked. The white render, black windows, natural stone facade elements and large sliding glazing carry the whole composition, while the veranda and flat roof solar panels stay quietly in the background.