Rounded edges, white ceramic and a matte tub surface set the tone before anything else in this bathroom collection. The freestanding bathtub is the clearest gesture in the room, but the project is not built around one object alone. It combines organic forms with natural materials and uses a compact layout to make the most of smaller bathrooms. That is where the collection becomes interesting: the pieces are calm to look at, yet they work through proportion, surface and placement.

A freestanding bathtub sized for a smaller room

The main element is a smaller freestanding bathtub, measured at 165 x 78 cm. Its scale matters. The bath keeps the familiar presence of a free standing tub, but the reduced footprint leaves more room around it. Made from DuraSolid®, it has a matte white finish that softens the reflections in the room. The surface reads as solid and quiet rather than glossy, and the backrest carries an organically shaped headrest that follows the curve of the body.

Because the tub is compact, it can sit in a bathroom where every centimetre counts without losing its visual weight. The rounded basin shape gives it a softer outline than a sharp rectangular shell would have. Seen from the side, the edge line stays low and measured. That restrained profile lets the freestanding bathtub work as a focal point without overwhelming the room, which is exactly why the collection lends itself to smaller plans.

The washing area keeps the lines clear

At the wash zone, a 70 cm ceramic vanity introduces a different kind of precision. The furniture basin is white and circular, set into a floor-standing chrome frame with an integrated shelf in white high gloss. On both sides of the basin, small easy-clean shelf areas extend the surface for daily use. They are not decorative extras; they make the washing area read as one compact assembly, with the round basin anchored between two practical ledges.

The chrome frame brings a narrow vertical line to the composition, while the glossy shelf surfaces catch light in a different way from the ceramic bowl. This contrast keeps the wash area from becoming visually heavy. It also explains why the collection can feel generous even in a smaller room: the components are distinct, but they sit close enough together to keep the wall clear and the composition legible from the doorway.

LED mirror light around the sink

Above the vanity, the LED mirror closes the wash area with a thin, even ring of light. The lighting runs all around the mirror, which gives the glass a clear edge and helps define the zone without adding bulk. In a bathroom with a compact 165×78 tub and a 70 cm ceramic vanity, that kind of lighting does useful work. It sharpens the contours of the basin, picks up the chrome frame, and keeps the wall plane visually light.

The mirror is minimal in shape, but it changes the reading of the room. Its perimeter light draws attention to the upper half of the wall instead of leaving the vanity isolated below. That small move matters in a project where scale is carefully controlled. The mirror does not try to dominate the room; it reinforces the order already set by the basin, shelf and frame.

Material contrasts stay restrained

Across the collection, the materials stay within a limited range: ceramic, chrome, DuraSolid® and glossy white surfaces. That narrow palette keeps the room from splitting into too many signals. The freestanding bathtub remains matte and tactile, while the wash area introduces brighter reflections through ceramic and metal. The contrast is easy to read, but never loud. It comes from finish and form rather than from ornament.

The choice of materials also supports the organic language of the project. The bath shell is smooth and rounded, the vanity basin is circular, and the shelf areas follow the geometry of the wash zone without adding clutter. Even the easy-clean shelf surfaces are visually modest. They sit close to the basin and frame, so the whole composition holds together in a single, compact field of white, chrome and soft shadows.

A shower toilet extends the same quiet logic

The collection can be paired with selected toilets and bidets from related ranges, along with Starck T accessories. The SensoWash® Starck f shower toilet adds another layer of precision to the bathroom plan. It combines toilet and bidet functions and uses water cleansing. That description fits the rest of the project: the form language stays controlled, and the sanitary fittings are kept in step with the bath and vanity rather than pulled apart into separate statements.

Placed alongside the freestanding bathtub, the shower toilet helps complete the room without introducing a new visual direction. The result is a bathroom where each element has a clear role. The tub carries the softer, reclining gesture; the vanity concentrates the washing area into a compact unit; the mirror adds light and edge; and the shower toilet keeps the technical side of the room aligned with the same measured tone.

Why the collection works in compact bathrooms

Smaller bathrooms often need one strong spatial move rather than several competing ones. Here, that move is the relationship between the compact freestanding bathtub and the pared-back wash area. The tub’s curved body gives the room a low, grounded presence, while the 70 cm ceramic vanity keeps the wall tidy and usable. Both elements are legible at a glance, and both avoid visual noise. The room feels edited, not crowded.

What stands out is the way the collection uses simple geometry to open up the space around it. The round basin, rectangular frame, mirrored edge and oval tub form a sequence that reads clearly from left to right. Even the chrome details act like lines in a drawing. That clarity gives the bathroom a calm structure and lets the softer material of the freestanding bathtub remain the main visual anchor.

The project closes on that contrast: a matte white tub with an integrated headrest, a compact vanity with easy-clean shelf areas, and LED-lit mirror edges that keep the wall bright without excess. Nothing here feels added for effect. Each part has a clear place, and the whole collection stays close to the body, the wall and the room’s measured proportions.