The first view is all roof lines and masonry. Red-orange brick pulls the volume into a solid base, while the black tiles step across several slopes and bring the roof into clear relief. In the brick villa exterior, the entrance sits under a sheltered overhang, framed by timber details that break up the brickwork without taking attention away from it. From the street side, the composition reads in layers: wall, opening, roof edge, chimney.

Front and side view with a layered roof shape

The front and side elevations show a new-build villa that is organised around a multi-slope roof rather than a single simple ridge. That shape gives the silhouette depth, especially where the roof planes meet the brick chimneys. The windows are set into the masonry with measured openings, and the darker frames keep the glazing readable against the lighter mortar lines. In this brick villa exterior, the roof does more than cover the house: it also defines the profile of the façades below it.

At the entrance, the material shift is immediate. Brick continues along the walls, but timber appears at the door and in the sheltered zone above it. The overhang protects the threshold and marks the transition from the open exterior to the enclosed interior. This is where the detail work becomes visible: the junction between brick, wood and the dark roof edge is handled with precise lines, and the drainage elements sit close to the edge rather than being hidden as an afterthought.

Brick chimneys and the roof edge

The chimneys rise from the roof in the same brick tone as the façade, which keeps them visually tied to the main volume. Against the black roof tiles, they stand out as vertical accents. Near the eaves, the darker trim and the visible gutter line sharpen the roof edge, while the timber finish underneath softens the transition. That roof edge detail in brick and wood is one of the clearest features in the images, because it shows how the roof, wall and drainage line meet in a single view.

Terrace façade with large glass openings

On the terrace side, the house opens up. Large glass doors and windows stretch across the rear façade, giving the brick shell a lighter rhythm than the more enclosed front. The opening sizes change the reading of the wall: solid brick sections alternate with transparent panels, and the terrace sits directly against that shift. In this terrace facade large glass view, the overhang above the seating zone is supported by timber elements that carry the roof line outward and give the façade a deeper shadow.

The rear façade is not treated as a separate object; it remains part of the same architectural logic. Brick, tile and timber repeat the language of the front, but the glass changes the tone of the elevation. The result is a side of the villa that feels open to the terrace without losing the weight of the masonry. You can read the structure in the vertical supports, the glazed bays and the roof edge, all of which sit in a tight relationship with one another.

Timber under the overhang

The timber elements at the terrace overhang are visible rather than concealed. They appear as beams and supports that pick up the roof line and make the projection legible from the outside. This is where the brick and wood facade cladding theme becomes tangible, not as a decorative layer but as an exchange between materials. Brick remains dominant, timber marks the protected zone, and the black roof above keeps the upper edge compact.

How the materials are read together

The house depends on contrast, but not in a loud way. Brick carries the weight of the façades, the roof tiles draw a dark cap over the volume, and the timber details add a lighter note at the entrance and terrace edge. Because the windows are large, the wall surface never becomes flat. Each opening breaks the brick into segments, and each segment catches the light differently through the day. That makes the house readable even in a still image: you see enclosure, opening and detail in one glance.

The close-up view is especially clear about how the building is put together. Brick meets timber at the roof edge, and the junction is outlined by a narrow profile and a visible rainwater line. The corner treatment shows the precision of the construction without turning it into a technical drawing. For a page about a modern villa with tiled roof, that kind of detail matters because it explains how the exterior holds together at the points where materials change.

Across the three images, the project moves from full view to close detail. First you read the massing: the multi-slope roof, the chimneys and the entrance. Then you move to the terrace side, where the glazing opens the rear façade. Finally, the eye lands on the roof edge and the material junctions. Together they document a new-build villa that relies on brick, tile, timber and large openings, with each element placed where it can be seen and understood. The overall effect comes from that clarity of parts rather than from ornament.